Notes related to Formato Cómodo

A FALSE CONTEXT FOR THE POLITICAL MESSAGE: MARTINAT AT FORMATO CÓMODO

By Álvaro de Benito

Martinat presents Pintas at Formato Cómodo, an analysis of political semiotics and the spread of propaganda in public space. Through the extraction of layers from urban political graffiti, these decontextualized remnants are re-signified, functioning as ephemeral records of power tensions, memory, and the urban landscape.

Galleries

A FALSE CONTEXT FOR THE POLITICAL MESSAGE: MARTINAT AT FORMATO CÓMODO

Until 01/29/2026
Madrid, Spain
PROPAGANDA AND SEMIOTICS IN JOSÉ CARLOS MARTINAT’S PROJECT

By Álvaro de Benito 

The Madrid gallery Formato Cómodo presents the exhibition Sueño Bolivariano, Preludio I by José Carlos Martinat (Lima, Peru, 1974). The show, the first of two to be hosted by the space, reflects the initial stage of an ongoing project in which the Peruvian artist draws inspiration from Simón Bolívar and his route. Based on the propagandistic actions of the independence leader, the author seeks references in contemporary Latin American politics that allow him, through the establishment of parallels, to reinterpret its messages, spaces, and intentions.

Galleries

PROPAGANDA AND SEMIOTICS IN JOSÉ CARLOS MARTINAT’S PROJECT

Until 11/29/2025
Madrid, Spain